Writing News for the Sunshine State & the Solar System
Editor: Howard Denson
Criticism – however valid or intellectually engaging – tends to get in the way of a writer who has anything personal to say. A tightrope walker may require practice, but if he starts a theory of equilibrium he will lose grace (and probably fall off).
– J.R.R. Tolkien
Stuff (and links) from hither and yon
In defense of Rudyard Kipling and ‘The Jungle Books’
Stop. Using. Periods. Period.
Interview with Fannie Flagg about WASP novel
Ten rules for writing fiction
How the Writer Listens: Svetlana Alexievich
1964 Playboy interview with Vladimir Nabokov
Language Could Diagnose Parkinson’s, ALS and Schizophrenia before Lab Tests
The Last Bookstore, Symbol of L.A.’s Literary Renaissance
Virginia Woolf on How Our Illusions Keep Us Alive
How Does the Language of Headlines Work? The Answer May Surprise You
Former BBC head Mark Thompson on Trump, Orwell and what’s gone wrong with political language
Why college kids are avoiding the study of literature
Why most academics will always be bad writers
John Hersey, the writer who let ‘Hiroshima’ speak for itself
Paper or plastic? Why I hate handwritten sermon notes
Florida Heritage Book Festival Offers Writer’s Conference on Sept. 16
The NFW drops dues to $20, goes for six meetings a year in 2017
BookMark puts spotlight on the weirdness of Florida on Sept. 17
Jacksonville poet’s chapbook manuscript wins honors in Hopper competition
FWA blog for Northeast Florida
Clay Writers to meet Sept. 21 at Penney Farms Community Commons Room
Prize-winning workshop to start new series of classes
Writers by the Sea to hear Michael Regina discuss “How Art and Illustration Tell and Sell a Story”
REGULAR POSTINGS: Writers Born This Month . . . Keep up with the NFW on our Facebook page . . . Meetings of NFW and Other Groups . . . Useful Links . . . Need someone to critique a manuscript? . . . The Write Staff
Click on the links below to read each article.
In defense of Rudyard Kipling
and ‘The Jungle Books’
Michael Dirda, the Pulitzer Prize-winning columnist for The Washington Post, horrified an audience recently when he praised the writing of Rudyard Kipling, who forks lightning today for being “utterly beyond the pale, being at once racist, misogynist and imperialist.” Polling the audience, he discovered that the crowd only knew Kipling through the lens of Disney and other filmmakers. Dirda argued that Kipling was the finest short story writer in English in the 20th Century. https://www.washingtonpost.com/entertainment/books/in-defense-of-rudyard-kipling-and-the-jungle-books/2016/08/02/86f5cb38-559c-11e6-b7de-dfe509430c39_story.html
Jeff Guo is advising you NOT to use periods . . . at least in texting. If you text and use periods, you are signaling hostility, aggressiveness, etc. Of course, as he mentions, at one time in writing, there were no periods, commas, quotation marks, question marks, or apostrophes, not even any spaces. Thewriterjustwrotewhateverhehadtosayandthereaderstrivedtomakesenseofit.
with Fannie Flagg
about WASP novel
A group was meeting at the café made famous by Fannie Flagg in “Fried Green Tomatoes at the Whistle-Stop Cafe,” and, when the author called for a recipe, she learned they were the women survivors from World War II who had flown planes that would be shipped to the male pilots. The WASP story grew into her novel, “All-Girl Filling Station's Last Reunion.” Ms. Flagg was born Patricia Neal, a name she couldn’t use on TV and film because it had been registered by the Academy Award-winning actress. She tells how she chose the name Fannie Flagg. https://www.youtube.com/watch?v=i5WM7ad5WxE
This article in the U.K.’s Guardian has collected the top ten rules for writing fiction from a bunch of writers, from Elmore Leonard to P. D. James. Frequent tips: Cut . . . write . . . shun adverbs . . . don’t drink and write. https://www.theguardian.com/books/2010/feb/20/ten-rules-for-writing-fiction-part-one
How the Writer Listens:
John Freeman interviews the Nobel Laureate, Svetlana Alexievich. Her books (which she calls novels) come from the words of real people, but she is not a Russian version of Studs Turkel.
Interviewer Alvin Toffler asked Vladimir Nabokov, the author of “Lolita,” about the influence of Freud and got this response: “The ordeal itself is much too silly and disgusting to be contemplated even as a joke. Freudism and all it has tainted with its grotesque implications and methods, appear to me to be one of the vilest deceits practiced by people on themselves and on others. I reject it utterly, along with a few other medieval items still adored by the ignorant, the conventional, or the very sick.” (Minor point about the centerfold in Jan. 1964, if she was between 18 and 22 back then, she would be 70-75 today.) http://reprints.longform.org/playboy-interview-vladimir-nabokov
Language Could Diagnose
Parkinson's, ALS and
Schizophrenia before Lab Test
Anne Pycha writes in Scientific America that several recent studies reveal what you say—and how you say it—provide clues about such diseases as Parkinson’s, Lou Gehrig’s Disease (ALS), and schizophrenia, even before laboratory tests can actually confirm the problems. The studies involved from 27 to 45 individuals, too small a sampling to make sweeping conclusions. http://www.scientificamerican.com/article/language-could-diagnose-parkinson-s-als-and-schizophrenia-before-lab-tests/
The Last Bookstore,
Symbol of L.A.’s
Alexander Nazaryan is delighted with his discovery of The Last Bookstore in Los Angeles. Says he: “The Last Bookstore is a potent symbol of the resurgent literary fortunes of Los Angeles. It has also become one of the finest independent bookstores in the nation, rivaling acknowledged greats like the Elliott Bay Book Company (Seattle), Pegasus Books (Berkeley), Politics & Prose (where else but Washington, D.C.?), Tattered Cover (Denver), Greenlight (Brooklyn) and Three Lives & Company (Manhattan).” http://www.newsweek.com/last-bookstore-symbol-las-literary-renaissance-491611
on How Our Illusions
Keep Us Alive
Maria Popova opens her essay on Virginia Woolf by quoting from the English author’s “Orlando”: “Life is a dream. ’Tis waking that kills us. He who robs us of our dreams robs us of our life.”
Ms. Popova says that “long before psychologists began exploring the curious cognitive mechanism of how our delusions keep us sane, even before the poet W.H. Auden contemplated the crucial difference between false and true enchantment, Virginia Woolf explored the powerful positive side of illusions in Orlando: A Biography—her groundbreaking 1928 novel, aptly considered ‘the longest and most charming love letter in literature,’ which gave us Woolf’s fiction-veiled insight into perennial truths about the elasticity of time, the fluidity of gender, and our propensity for self-doubt in creative work.” https://www.brainpickings.org/2016/08/25/virginia-woolf-orlando-illusions/
How Does the Language
of Headlines Work?
The Answer May Surprise You
This article opens with some interesting heds, including “Headless Body Found in Topless Bar” (New York Post) and “Nature Sends Her Egrets” (San Jose Mercury). After tracing the history of the modern headline, the writer gets down to fussing about “clickbait”—heds or content designed to get the reader to continue clicking on subject matter. http://daily.jstor.org/how-does-the-language-of-headlines-work-the-answer-may-surprise-you/
Former BBC head Mark Thompson
on Trump, Orwell and what’s
gone wrong with political language
In London’s Daily Telegraph, Jonathon Green reviews Mark Thompson’s “Enough Said: What’s Gone Wrong with the Politics of Language?” Thompson, the former head of the British Broadcasting Company, is now the chief executive at The New York Times.
Green wishes Thompson’s book had included H. L. Mencken, who said this about U.S. President Warren G. Harding (a journalist and publisher, by the way):
“He writes the worst English that I have ever encountered. It reminds me of a string of wet sponges; it reminds me of tattered washing on the line; it reminds me of stale bean soup, of college yells, of dogs barking idiotically through endless nights. It is so bad that a sort of grandeur creeps into it. It drags itself out of the dark abysm of pish, and crawls insanely up the topmost pinnacle of posh. It is rumble and bumble. It is flap and doodle. It is balder and dash.”
Why college kids
the study of literature
Every decade has its Cassandras predicting that society or an academic discipline is about to crash and burn. Martha Nussbaum’s “Not for Profit: Why Democracy Needs the Humanities” predicts doom if we don’t change our ways. A rebuttal is this essay by Gary Saul Morson in Commentary. He argues that students will stay away from courses that are poorly taught. He gives suggestions about what’s wrong and how to change the system.
Why most academics
will always be
Freelancer Noah Berlatsky says, “Academics don’t need to be elitist, careerist, or corrupted by postmodernism to write badly. Most people, most of the time, write badly. Writing well is hard. Celebrate those who have mastered it, and have some sympathy for the rest of us, laboring for competence one keystroke at a time.”
John Hersey, the writer
who let ‘Hiroshima’
speak for itself
The New Yorker looks back at one of the important pieces of journalism in the 20th Century: John Hersey’s “Hiroshima,” which the magazine published seventy years ago. Russell Shorto describes how Hersey read Thornton Wilder’s novel, “The Bridge over San Luis Rey,” and realized a similar approach could enable Hiroshima survivors to tell their own story without authorial intrusions.
Paper or plastic?
Why I hate
handwritten sermon notes
Rev. Clint Archer of Hillcrest Baptist Church explores the way that novelists and ministers produce their words. He says thriller author Jeffrey Archer writes in longhand, using up a half dozen ballpoint pens for each novel. Some ministers prefer to stick with cursive. Rev. Archer, however, finds there are several practical reasons for using a word processing program (PC or tablet) to save the sermons. http://thecripplegate.com/paper-or-plastic-why-i-hate-handwritten-notes/
FLORIDA HERITAGE BOOK FESTIVAL
OFFERS WRITER’S CONFERENCE ON SEPT. 16;
FREE BOOK FAIR SLATED ON SEPT. 17
The Florida Heritage Book Festival wants writers to join them Friday, Sept. 16, at St. Augustine’s Flagler College for a day of workshops dedicated to the working writer committed to improving his or her craft through face-to-face guidance by writing professionals. The conference is designed to help all writers, whether they are veterans or emerging talent.
The Festival begins Sept. 15 and ends on Sept. 17.
On the day of the writers’ conference, two sessions will run concurrently in each time slot.
9- 10 a.m. Friday, Sept. 16
Creating Characters Who Stand the Test of Time (Michael Morris) This workshop will focus on character development, capturing oral history and research for fiction, with an emphasis on the historical genre.
Finding Bigfoot & Developing Scenes (Joe Gisondi) The author of “Monster Trek: The Obsessive Search for Bigfoot” is also a professor of journalism who has traveled to eight locations across the country, trekking into swamps, mountains, state parks, and remote woods with people in search of bigfoot as well as fame, fortune, adventure, and shared camaraderie. This session will show attendees how to develop scenes before, during and after spending time in a locale through research, interviews and observations.
10-11 a.m. Friday, Sept. 16
How to Let the Necessity of Plot Guide Your Writing (John Dufresne)
Bookstores & Beyond: Marketing in the Age of Amazon (Brad and Darlyn Kuhn) Learn how to brand yourself and sell your work from two writers who make a living at it.
11 a.m.-12:30 p.m. Friday, Sept. 16
My Fictional Floridians: Point of View and Narrative Shape (Susanna Daniel)
Lunch & Keynote
An author’s choice of point of view not only helms a narrative, but determines how that narrative will be imagined by the reader and how it will make the reader feel. Susanna Daniel will discuss how point of view shapes character, structure, and language in each of her three novels, and how to access the most vivid, astute, and compelling point of view in your own work.
12:30-1 p.m. Friday, Sept. 16 Book Signing for Susanna Daniel
1-2 p.m. Friday, Sept. 16 Writing Tools: 50 Essential Strategies for Every Writer (Roy Peter Clark) Based upon a book by that title, Roy Peter Clark will reveal the secrets of the writing process, from nuts and bolts to special effects to blueprints for stories to useful habits. These tools are proven to spark an immediate improvement in your prose.
Crafting the Character Arc (Jennie Jarvis) Many writers think that, just because they have their basic structure in place, their stories are destined to succeed. The problem with many narratives, however, can often come in those places between the plot points. While many books on the craft of writing state that characters need to be three dimensional and change, a beginning writer isn’t always sure how to turn these rather conceptual ideas into something a bit more concrete. Jennie Jarvis will detail a step-by-step practical guide for beginning writers to use in order to ensure they create characters both dynamic and engaging.
2 – 3 p.m. Friday, Sept. 16
From Self-Published Author to Number One National Best Seller: The Art and Craft of Writing a Mystery Novel (Terrell Griffin)
Our American Lives: Fact/Fiction/Film and Craft (Cecilia Milanes)
Blending genres is a challenging endeavor that can provide both exhilarating freedom and productive foundations and forms. By revisiting home movies, writers may find inspiration for fiction, memoir, and poetry–sometimes all fruitfully inhabiting one piece.
3-4 p.m. Friday, Sept. 16
The Writing Life: Habits, Attitude, Luck and Poems (Florida Poet Laureate Peter Meinke)
He will various poems “about” writing, talk about his writing habits, and describe his experiences during a long career.
Storybrain: What Recent Discoveries in Neuroscience Mean for Fiction Writers (John Henry Fleming) Thanks to recent scientific developments, we are getting a real-time look at how the brain responds to stories. The results are fascinating and surprising; what do they mean for fiction writers? How might our new understanding of the brain influence the craft of fiction? This session will teach new ways of thinking about one’s stories and gain craft advice to help the aspiring writer to create a vivid and meaningful experience in the minds of the readers.
4 -5 p.m. Friday, Sept. 16 A Good Title is Not Hard to Find (Robin Lippincott)
The speaker has been a teacher of fiction writing for many years and concludes that a lot of writers aren’t very good at titling their work, and yet the significance of a compelling title that fits cannot be underestimated. This lecture will explore why titles are so important, and also some guidelines by which to avoid bad titles, as well as how to create effective and meaningful titles. Along the way, we’ll look at some good (and even great) examples, as well as some bad ones.
5 - 5:30 p.m. Friday, Sept. 16
Book Signings and The Literary Legend Reception: Honoring Elaine Lobl (E.L.) Konigsburg, the late American writer and illustrator of children’s books. The posthumous award will be accepted by her son Paul Konigsburg. Register for the reception at https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ecc1d59389dc8bb2
The Florida Heritage Book Festival will offer a day of free author presentations on Saturday.. This year’s mix of bestselling authors from a range of genres will force tough decisions about which presentations to attend. Check out the festival schedule.
Need new books? Over 70 writers, publishers and book stores will be available at Saturday’s Festival Marketplace for hourly drawings, signings and readings. Authors and vendors at the book festival will include the following:
Onlinebinding.com; Bobbie Hinman; Linda Caden, Open Spaces, Inc.; Monica P. DePaul; Bruce Buckingham; Ken Thomas; Edward R. Laden Sr, Lead Story; Marlaena Shannon, illustrator/author; Robert Denis Holewinski; George Encizo; St. Augustine Record; Nancy Tart; Carrie Fletcher, BookBones; Meeka Cook, The Dorm Doctor; Katelin Maloney, Drowning;
Taylor and Seale Publishing; Christine McCully, BlackBeard, RedBeard, Pirates ‘n More; Andrew Jarvis; Jonathan Schork; Josie Dorlus, JDWELL Ministries; Happy Science; Christine Kanitsch McCully, visual artist/ creator; Samuel Joeckel; Darien Kay Terrell; Ed Wilks, Legacies & Memories; Friends of the Public Library; Patricia Plummer; Penny Wagner, Karl the Grateful Dog;
Rebekah Aman, Keepers of the Essence; John Saucer; Jamie Pearce, Historic Haunts; eTreasures Publishing, LLC;
Dr. Roger Smith, The 14th Colony; Sarah A. Younger, A Bend in the Straight and Narrow; John Hope; Brooke Stewart; TM Brown; Laura Francois, Reckless Perfection Series; Sherrich Monsher; Sharetherich, LLC;
Folio Weekly; Anna Kern; Joyce Crawford, The Adventures of Thelma Thistle; Elizabeth Raven, Matanzas Moon; Florida Falun Dafa Assn.
For information about the Book Festival at Flagler College on Saturday, go to http://fhbookfest.com/book-festival/festival-schedule.
For registration information, including costs, go to https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ecc1d59389dc8bb2
THE N.F.W. DROPS DUES TO $20,
GOES FOR SIX MEETINGS A YEAR IN 2017
North Florida Writers members at the August quarterly meeting voted on two measures important to the organization:
First, they reinstated dues, but at a reduced rate of $20 a year (for all previous categories). The dues will begin with the 2017 calendar year.
Second, the NFW decided to go from quarterly meetings to six meetings a year beginning in 2017: January, March, May, July, September, and November.
For 2016, the last meeting will be Saturday, Nov. 12, in the meeting room of the Riverside-Avondale Watson Realty branch (on the corner of Herschel and San Juan). The meeting will start at 1 or 2 p.m. (to be confirmed later), depending on how late the realty office is office.
The November speaker will be Sohrab Homi Fracis, whose upcoming book is “Go Home,” a novel about pressures on immigrants during the Iranian hostage crisis.
The meeting will also feature critiquing.
BOOKMARK PUTS SPOTLIGHT
ON THE WEIRDNESS
OF FLORIDA ON SEPT. 17
Owner Rona Brinlee says The BookMark (220 1st St., Neptune Beach 32266) will learn from Craig Pittman how America’s weirdest state influences the rest of the U.S. In other months, the bookstore will host Jennifer Fosberry and Randy Wayne White.
Craig Pittman, “Oh, Florida! How America’s Weirdest State Influences the Rest of the Country” (St. Martin’s Press) Saturday, Sept. 17, 7 p.m.
place has its idiosyncrasies, but journalist Pittman (The
Scent of Scandal) makes a strong case for Florida being the
strangest state in the nation. He relates bizarre events with
assorted characters from Florida’s current culture and modern
history. Covering diverse topics such as politics, plastic
surgery, civil rights, Scientology, sinkholes, and NASCAR, the
author shares news reports and scandals representing the
oddity that is Florida. (This book is also featured in the
BookMark newsletter as Laura’s staff pick for this month.)
Jennifer Fosberry, “Isabella: Girl in Charge” (Sourcebooks), Saturday, Oct. 15, 10 a.m.
A big event has Isabella ready to leave home at the crack of dawn. But that’s a motion her parents are not likely to pass. If her house is going to work like a democracy, Isabella knows what she has to do; call an assembly and campaign her way out the door! Inspired by women who trail-blazed their way onto the political map of America, Isabella celebrates the women who were first to hold their offices.
Randy Wayne White, “Seduced” (A Hannah Smith novel) (G.P. Putnam’s Sons) Sunday, Oct. 23, 7 p.m.
Five hundred years ago, Spanish conquistadors planted the first orange seeds in Florida, but now the whole industry is in trouble. The only solution might be somehow, somewhere, to find samples of the original root stock. No one is better equipped to traverse the swamps and murky back country of Florida than Hannah Smith, a tall, strong Florida woman whose family roots go back generations. Once word leaks out of her quest, trouble begins. There are people who will kill to find a direct descendant of those first seeds.
WINS HONORS IN
In June, Jacksonville poet Emily K. Michael placed well in a chapbook contest offering The Hopper's Prize for Young Poets. The Hopper, the Vermont-based ecologically minded magazine, published one of her essays in April.
This contest called for a chapbook, a collection of 20-50 poems by a "young poet" (under 35) who had never published a collection before. Ms. Michael says, “So I shuffled and re-shuffled my poems, read them to myself, read them with friends, and sent them off.”
Her manuscript, “Natural Compliance,” won Honorable Mention (3rd place) in the contest. The Hopper wanted to profile her on their website and include a poem from the collection. Their profile features the poem "Kiwano."
September brings temporal competitions for writers, what with college and NFL football, so the writer needs to force time into the calendar to make sure the keyboard isn’t being neglected. If you want to confer inside with fellow writers, then go to the FWA blog and check out meetings of the River City Writers, the Clay County Writers, Writers by the Sea, the Ancient City Writers, and the Ponte Vedra Writers.
CLAY WRITERS TO MEET SEPT. 21
AT PENNEY FARMS
COMMUNITY COMMONS ROOM
The Clay County Writers will again leave the Clay County Library on Wednesday, Sept. 21, because of the election seasons, when the meeting rooms of public libraries are already booked for ballot training and early voting,. The group will meet instead at Penney Farms Community Commons Room. The meeting will start at 6 and last till 8 p.m.
Maureen Jung, group leader, will lead a discussion on “How to Write a Summary” and give a sneak preview of anthology stories.
Writers may wonder how to write summaries of their essays, stories, poems, and projects. She says, “Naturally, no single approach works for all writers. The methods may be as diverse as the number of writers you ask.”
Clay County Writers is sponsored by Florida Writers Association. Get the details on this statewide group: https://floridawriters.net/. Monthly meetings focus on the art, craft, and business of writing. Some meetings offer presentations by author-speakers. Other meetings introduce practical exercises to help writers sharpen their skills, give and receive feedback, and leave with practical suggestions to improve their work.
For more information, contact Ms. Jung or go to the Facebook page at
TO START NEW SERIES OF CLASSES
A writing workshop on a shanty boat docked on the Trout River is beginning a new series of classes on Oct. 5-Nov. 9, 2016, according to freelance writer and editor of Closet Books, Lynn Skapyak Harlin, leader of the workshop.
Shanty boat Writers Workshop is designed for beginning writers who would like to learn new techniques, or seasoned writers who would like to refresh these skills to improve their writing. Fiction and nonfiction writers are welcome. Topics include: Creating believable characters, Tips for Improving Dialogue, Elements of Plot, How 'Show rather than Tell' works toward clarity in all forms of writing and many other writing and submission tips.
Members of recent classes have won awards in the contests of the Florida First Coast Writers' Festival and other national awards.
The evening session meets every Wednesday from 6 to 9 p.m., and the cost of the workshop (limited to 8 students) will be $200 for six weeks.
Before attending a workshop all new workshop writers must write and submit an introductory essay according to workshop guidelines .
For more information on all sessions forming or to reserve a space, call Ms. Skapyak Harlin at 904.778.8000 or e-mail her at firstname.lastname@example.org
WRITERS BY THE SEA TO HEAR
MICHAEL REGINA DISCUSS
“HOW ART AND ILLUSTRATION
TELL AND SELL A STORY”
An illustrator-editor will speak to Amelia’s Writers by the Sea on Thursday, Sept. 15, when the group meets at 6 p.m. at the Amelia Island Museum of History (233 S. 3rd Street, Fernandina Beach, FL 32034).
Michael Regina will provide an artist’s approach to “How Art and Illustration Tell and Sell a Story.” The speaker is an award winning film editor, painter and illustrator, largely known for his portraits and comics work: His online graphic novel, From Death ‘til Now, has increased interest in his comics work.
Aside from developing his own projects, Regina has served as an assistant on the last two volumes of Scholastic's popular series, Amulet by Kazu Kibuishi. Regina received a BFA in Painting and Drawing at the University of North Florida and studied under several painting masters, including portrait artist Kyle Keith.
Regina’s comics work is represented by FinePrint Literary Management. http:// www.Reginaeregina.com/about.html.
The event is free to all writers. For more information about Writers by the Sea, go to its FaceBook page at https://www.facebook.com/WritersByTheSea.Amelia/.
Thanks for sharing the update about cursive writing making a bit of a comeback! I know someone who wrote instructions for caring for some cats and dogs, and the caretakers couldn’t read her notes because they were in cursive. And don’t we still need signatures?
Joy V. Smith
author of “Strike Three” and other books
If you have trouble remembering what exactly is meant by, say, “bi-weekly” or “semi-weekly,” you may have to look that up. I wanted to make certain that our article about NFW meetings every other month got it correctly. The rule of thumb for an editor or writer is “When in doubt, look it up.” Was it “bi-” or “semi-monthly”?
It turns out that three or four respected online dictionaries said “bi-monthly” can mean (wait for it) “meets every other month” OR “meets twice a month.” Alas, a perfectly good expression that once had a real meaning now has no useful meaning. If you use it, you are inviting confusion into your communications.
“Infer” and “imply” are still alive and have specific meanings, but the words are on life support and may become interchangeable. All will be lost when there’s an English handbook entitled “Learn ’Em Good Like Us Should.”
Author of “The Wrong Stuff: Findings of a Forensic Grammarian” and other books
To check out the names of writers who were born this month, go to this website:
The list includes novelists, poets, playwrights, nonfiction authors, writers for the small and silver screen, and others.
If you see that we have omitted a writer, give us his or her name (and preferably a way to verify the belly-button day).
SOME USEFUL LINKS
Writers, poets, and playwrights will find useful tools at http://howarddenson.webs.com/usefullinksforwriters.htm
KEEP UP WITH THE NFW
ON OUR FACEBOOK PAGE
join us at any time on Facebook. Webmeister Richard Levine
has changed our privacy setting from Closed to Public. That
way, you can check out our group at your leisure.
To begin, click on: https://www.facebook.com/n/?groups%2FNorthFloridaWriters%2F&aref=94825392&medium=email&mid=af910daG3be2bd82G5a6ebb0G90G8294&bcode=1.1418662828.AbkY6Ei5o1kSfX4_&n_m=hd3nson%40hotmail.com
If you have a finished manuscript that you want critiqued or proofread, then look for someone at http://howarddenson.webs.com/potentialcritiquers.htm.
Check out their entries on the website to see if they suit your needs.
They include the following:
Robert Blade Writing & Editing (email@example.com);
Frank Green of The Bard Society (firstname.lastname@example.org);
JJ Grindstaff-Swathwood (email@example.com);
Brad Hall (firstname.lastname@example.org);
Lynn Skapyak Harlin (Lyharlin@aol.com);
Joseph Kaval (email@example.com);
Richard Levine (Richie.ALevine@gmail.com).
THE WRITE STAFF
President: Howard Denson (hd3nson@hotmail. com)
Vice President: Joyce Davidson (davent2010@comcast. net)
Secretary: Kathy Marsh (kathygmarsh@bellsouth. net)
Treasurer: Richard Levine (http://hiddenowl.com/Contact%20form.html).
Presidents Emeriti: Frank Green, Dan Murphy, Howard Denson, Nate Tolar, Joyce Davidson, Margaret Gloag, Richard Levine, Bob Alexander, JoAnn Harter Murray, Carrol Wolverton, Margie Sauls, Stewart Neal